Along the Viewing Axis
The inspiration for this art piece comes from a train journey across the United States, during which I observed the constantly changing landscapes along the way, delving deeply into the psychological experience of viewing scenery. In this process, a core question emerged: What are we truly seeking when we gaze at landscapes? Are we chasing a subjective projection of our psyche, or attempting to capture the true face of the objective world?
In this artwork, the landscape is no longer an isolated visual image but resonates with my personal experiences and inner narratives, becoming an integral part of life. Moreover, by comparing the perspective of observation to the Z-axis of a coordinate system—symbolizing a journey into deeper psychological layers—this piece aims to demonstrate the profound emotional and cognitive integration between myself and the environment. This gradually unfolding zine captures the emotional fluctuations sparked by the external world, showcasing my exploration of the intermingling of the subconscious with the environment.
The design of Silent Spring delves into the environmental damage caused by human overreliance on pesticides. Utilizing peach-colored stains, rice paper, and innovative page number designs, it vividly portrays the toxicity of pesticides, the fragility of nature, and the gradual impact on living organisms, effectively reflecting the book’s theme and content.
Silent Spring
New World explores the boundaries between reality and meaning, presenting a perception that hovers between the virtual and the real. I use soft tones and blurred light and shadow effects to create a floating, uncertain atmosphere, allowing the text to shift between clarity and dissolution—symbolizing the breakdown and reconstruction of established perceptions. The phrase "New World" is not just a title but a dynamic state, reflecting how meaning in the modern era is no longer fixed but fluid and open to reinterpretation. The corner projection enhances the sense of space, inviting viewers to contemplate the interplay between void and reality. When existing meanings no longer confine us, can we freely explore the unknown? This work was selected for the GOLDEN BEE 16 GLOBAL BIENNALE OF GRAPHIC DESIGN this year.